Tucson, Tula & Tlaxcala
4,000 Years of Cultural Interaction

Video by 2008 Trip Particpants Tom and Sharon Onak

Transcript

Music Selections in Video
Starting Time	Source of Clip
00:00	Enrique Cerón, “Cariñito Azucarado.”  In Las Mejores de Virginia Lopez y Eydie Gorme. Multi Pistas 2005.
01:41	Wayne Jones, “Oso.”  In The Fiesta Mexico Collection, disc 1, Lifescapes 2007.
02:41	Ron Freshman, “El Hijo de David.”  In The Music of Santaluz. Ron Freshman 2006.
03:05	“Gusano Rojo.”  In Rumba de la Selva, Baja Records 2007.
04:08	“Agua Azul.”  In The Guitar Collection - Flamenco, Red Sauce Records 2005.
04:37	Augustín Barrios, “Vals Op.8, No.4.”  In Music for Guitar, EMI Debut.
05:07	“Las Cruces.”  In Desert Guitar, Northsound 2003.
05:36	Ron Freshman, “Amor Vero.”  In Amor Vero, Ron Freshman 2003.
05:53	Jose Fernandez Diaz, “Guantanamera.”  In Esteban By Request [Disc 2], Daystar 2001.
06:23	Isaac Albéniz, “Mallorca Op. 202.”  In Pepe Romero Guitar Solos, Philips 1997.
10:06	Wayne Jones, “Pacifico.”  In The Fiesta Mexico Collection, disc 2, Lifescapes; Compass Records, 2007.
10:35	Wayne Jones, “Playa del Ray.”  In The Fiesta Mexico Collection, disc 1, Lifescapes; Compass Records, 2007.
10:53	Paco de Lucia, “Entre Dos Aguas.”  In Guitarra Clásica Española, label unknown.
11:22	George Lawall, “Amazonas, Op.23c, Rio Negro.”  In Best of Latin, Mexico (Disc 2). Lifescapes; Compass Records.
11:52	Wayne Jones, “Siesta.”  In The Fiesta Mexico Collection, disc 2, Lifescapes; Compass Records, 2007.
12:11	Tomás Mendez, “Paloma Negra.”  In Frida (soundtrack from the motion picture), Deutsche Grammophon 2002.
13:30	Isaac Albéniz, “Cantos De Espana, Op. 232: No. 4 Cordoba.”  In Pepe Romero - Guitar, Philips  1985.
16:02	Agustin Barrios, “Mazurka Apasionata.”  In Music for Guitar, EMI Debut.
16:53	Leo Brouwer, “Cancion de Cuna - Sur un Thème de Grenet.”  In Latin-American Guitar Gems (Cerddoriaeth i'r Gitar o America Ladin), Sain Records.
20:46	Jonathan Cain, “Eyes of Chacmool.”  In Body Language, Higher Octave 1997.

Thanks to Laura LePere and Frank Finkenberg for their assistance with this project.

—Tom Onak