The University of Arizona

19th Century Blankets

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Navajo Weaving Methods

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All blankets in this exhibition were woven in tapestry weave, in which each colored weft yarn interlaces specifically in areas where needed for a pattern.

In addition, wedge weave blankets have a unique tapestry structure. Weft yarns are woven diagonally across the warp yarns, pulling the warp yarns askew and creating scalloped edges and distinctive zigzag designs. Other published names for this eccentric weave include “scalloped edge weave,” “lightning design,” “pulled warp,” “overstuffing,” “knock warp,” and “lazy weave.”

Tapestry weave, interlocking joinA
Wedge weaveB
Diagram of the Pueblo-Navajo upright loomC
  1. Tapestry weave, interlocking join.
  2. Wedge weave.
  3. The Pueblo-Navajo upright loom. Larger Image & CreditsOpens in a new window

Illustrations by Kathleen Koopman. From "Blanket Weaving in the Southwest" by Joe Ben Wheat, edited by Ann Lane Hedlund, 2003, The University of Arizona Press.

Sometimes in solid colored areas, a weaver inserted a diagonal “break” in her fabric, in order to avoid reaching across the entire fabric while weaving. Typical of Navajo weaving, this results in short diagonal lines across the solid colors and is sometimes called a “lazy line.”

Typical of Navajo and Pueblo weaving traditions, each blanket originally had four finished edges, or selvedges, in which all yarns return into the cloth rather than being cut and fringed or hemmed. To strengthen and decorate the edges, separate cords were twined into the fabric during weaving and formed into tassels at the corners.

Detail of selvege cordsD
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Lazy linesE
  1. Detail of selvedge cords on the wedge weave blanket shown above. Photo by Jannelle Weakly.
  2. “Lazy lines” visible in a detail view of the gray/brown background of a 19th Century blanket in the Arizona State Museum collection, 26432.